A Fine Arts background has developed my intuitive understanding and appreciation of light, shadow and form and has refined my ability to work with the medium of photography, to select and frame uncluttered compositions, which convey atmosphere and create a visual experience of sculptural form.
My area of focus is architecture and interior space of the built environment.
I’m particularly interested in how photography, as an image making process, can enhance, transform and clarify our perception of each space, through interpretation and representation.
A camera is not a mirror. Through a process of selection: viewpoint, light, elements within the frame, the photographer creates a visual narrative that tells the design story of each space.
Photography, as a creative process, is an excellent way to experience innovative architectural design, by taking time to perceive a space, to understand the design vision of the architect, rather than to simply look at it.
As a means of communication, the intent of each photographic image is to transpose an experience of essential elements of each three dimensional form into a two dimensional image, in an inspiring, intriguing and memorable way for the viewer.
To achieve this, the photographer needs to identify and interpret the unique qualities of each individual space, selecting and framing viewpoints to represent the design ideas of the architect and to convey atmosphere.
When beginning a project, consideration is given to the purpose of the images and how they are to represent each architectural design. On one level, there is documentation of form, which is rendered as faithfully as possible, showing symmetry, precise single point and two point perspective and optimal light conditions to create a portrait of form, albeit one that may be idealised.
There is also the level of appearance. How the architecture is perceivable, influenced by the weather, season, time of day, the immediate surroundings and the images document the ambience of the architecture.
A third level of approach is the image itself, as the subjective experience of the architectural form and its appearance, existing to stimulate the imagination in the mind of the viewer.
I’m constantly searching out new places for personal photography projects, the dialogue between photography and our built environment is constantly evolving.
In addition, aiming to broaden a network of architects in order to represent their work effectively in photographic form.
Currently based in NE Scotland, after a significant period of time working in London. Outward looking for projects in all locations.
A Dialogue with Others
"The thing with photographs is that they look like pictures, but they're ideas."
- Joel Meyerowitz
“Photography is not about the thing photographed. It is about how that thing looks photographed.”
- Garry Winogrand
“Buildings aren’t just products, they’re philosophies with the potential to lead the zeitgeist.”
- Harriet Harriss, architect
BA(hons) Fine Art, Exeter
MA Cultural Studies, University of Leeds